Bühnenaufnahme mit einer Frau in einer großen roten Tüllrobe, umgeben von drei weiteren Frauen in bunten Kleidung, in einem dunklen Theaterumfeld.

La liberazionE

Francesca Caccini

MusikTheater an der Wien

Theatrale Szene mit einer Person in Anzug, die auf einem Balanciergerät sitzt und einen emotionalen Ausdruck zeigt, vor dunklem Hintergrund.
Vier Männer in schwarzen Anzügen mit ausgestreckten Händen, die sich gleichzeitig nach vorne beugen, in einer dunklen, nebligen Umgebung mit einer geheimnisvollen, ernsten Frau im Hintergrund.
Ein Mann in einem pinken Tüllrock springt auf einer Theaterbühne, umgeben von vier Kindern in weißen Oberteilen, schwarzen Hosen und orange Tüllschleiern, mit einer dunklen, industrialartigen Bühnenkulisse im Hintergrund.

"Body dynamics reign supreme this evening: Director Ilaria Lanzino has choreographed the approximately 90 minutes as meticulously as they are emotionally powerful“

Wiener Zeitung

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"Wonderfully reinterpreted by the direction (...) The audience applauded vigorously“

Online Merker

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"A start that makes you want more (...) Lanzino has staged the story in an extremely choreographic manner.„

Rating: 5 stars

Kurier

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"Lanzino indeed draws from the style and model of physical theatre, working with body language and the placement of bodies on stage to express the nature, motives, thoughts, and even political inclinations of the characters. In short, this thoughtful and captivating show emerges from a synergy between music and stage, deserving and receiving the enthusiastic reception of the full house“

Olyrix

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"Surprising, brilliantly staged“

musicologie

​“The style of performance is highly physical and based on ‘physical acting,’ that Lecoq-derived movement theater which, in the cultural tradition of the commedia dell’arte, assigns the body the same importance as the text. This approach is realized by all the performers with notable precision and effectiveness.”

tanz.at

„“The Italian director Ilaria Lanzino approaches the work—like so many pieces of its time based on Ariosto’s Orlando furioso—in a dark and serious vein, even if here and there a small wink appears, such as nymphs slipping into pop. While the stage at first still recalls the brightly colored worlds of Achim Freyer, the color gradually recedes, giving way to a cold, technoid world. At the same time, the stage teems with activity, precisely choreographed as rarely seen.”

Salzburger Nachrichten

Stage direction: Ilaria Lanzino

Stage design: Martin Hickmann

Costume design: Vanessa Rust

Fotos: Herwig Prammer